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THE DEBUT ALBUM BY MOY PAGE
BRINGS TOGETHER JAZZ TRADITION
AND HOLLYWOOD HISTORY

Recorded May 14th, 2010

by prominent jazz recording engineer JIM MOONEY,

best known in the jazz community for engineering notable recordings during the golden era of West Coast jazz including CHET BAKER’s 1989 album Chet Baker Sings & Plays from the film, Let's Get Lost.

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Recorded by JIM MOONEY 

Executive Producer COREY RABIN

Produced & Mixed by GREGORY PAGE

Mastering Engineer GABRIEL MARKUS

Watercolor Painting by SOPHIE ANCEL

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MOY PAGE. . . . . . . . . . .  flute

DAVE PAGE. . . . . . . . . .   drums

EMANUELE FILIPPI. . . . .   piano

WALTER YONES. . . . . . . .  vibraphone

ALDO SPADARO. . . . . . .   electric guitar

LEONARD PATTON. . . . . .  vocals

BOBBY HEALY. . . . . . . . .  upright bass​

FOR IMMEDIATE RELEASE:
SAN DIEGO, CA — October 2026 — Jazz flutist Moy Page makes her recording debut with Flute For Thought, an album that brings together exceptional musicianship, decades of musical history, and the timeless spirit of jazz. At the heart of the project is Page’s expressive flute playing, surrounded by an accomplished ensemble that connects the album to some of the most respected names and traditions in American music. Joining Moy is her late brother, drummer Dave Page, whose career includes performances with legendary entertainers Frank Sinatra and Tom Jones. His experience across jazz and big-band orchestras brings a seasoned rhythmic sensibility and dynamic presence to the album. Song eight is an original Moy Page composition featuring Leonard Patton's soulful vocals. Patton is currently a vocalist with the Pat Metheny band.

RECORDED WITH HOLLYWOOD JAZZ HISTORY:
Adding another remarkable dimension to Flute For Thought is legendary recording engineer and studio owner Jim Mooney. Mooney recorded the album and brings a wealth of experience from Los Angeles’ historic recording scene. During the 1970s, Mooney operated Sage & Sound, a Hollywood recording studio during an extraordinary era of music and recording. His involvement gives Flute For Thought a direct connection to the craftsmanship and sound of classic Hollywood recording. 
The combination is unusual: a debut album from a jazz flutist, recorded by an engineer with roots in the golden age of Hollywood studios, featuring musicians whose careers span generations of jazz and popular music.

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​​Available on 180gm Vinyl LP & Compact Disc

The Albums Story: by G. Page

Growing up in a house filled with jazz music and jazz musicians in North London, I never realized at that time how extraordinary it was. It wasn’t until decades later, after our family moved to America, that I began to appreciate just how much Mum’s passion for jazz music truly was and still is. Our journey took us to Fallbrook, California, "The Avocado Capital of the World". Mum continued playing the flute and took lessons from her mentor, teacher and friend, flutist Lori Bell while working in the pro shop at a local golf course. On quiet days, she would play her flute in the shop to pass the time. One afternoon, a handsome gentleman golfer came into the shop and complimented her playing. He introduced himself: “Jim Mooney is my name. I play trumpet and piano, and I have a home recording studio in Temecula.” That chance meeting began a wonderful friendship. Mum soon began going to Jim and his wife LaVerne’s home every Friday. Jim set up the microphones. They recorded countless jazz standards, capturing the performances spontaneously all in a single take. There was no overthinking, no endless rehearsals, just musicians listening to one another and making music. Jim passed away in 2015. Not long afterwards, Mum had to retire from playing the flute due to the onset of essential tremor, but the music never left her. She still enjoys playing the piano and, in one of the sweetest continuations of her musical legacy, teaching piano to her great-grandson, Archer. For this album, I asked Mum to select a collection of her favorite recordings from those Friday sessions with Jim. Listening back, I was struck by the warmth, spontaneity, and spirit captured in those performances. I was able to isolate the individual instruments, remix the recordings, and carefully add a few instruments into the open spaces, while preserving the heart and character of the original sessions. These recordings are more than jazz standards. They are snapshots of friendship, family, and a remarkable musical chapter in Moy Page’s life. They are the sound of Fridays in Temecula, when Mum and Jim would get together, press record, and simply play. I’m grateful that those moments were captured, and even more grateful that we can hear them again. ~ Gregory Page

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Pixels Handcrafted by Krikor
@2026 Universell Records Inc.


 

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